Chris Rock transforms Oscars into biting racial commentary
By Steve Gorman
LOS ANGELES (Reuters) - Comedian Chris Rock launched his return stint as Oscar host on Sunday by immediately and unabashedly confronting the racially charged elephant in the room - the furor over the all-white field of performers nominated for Hollywood's highest honors.
In an opening monologue peppered with biting, no-holds-barred commentary about what he described as "sorority"-style discrimination pervading the film industry, Rock set the stage for a night of running gags that repeatedly returned to themes of racial politics.
In doing so, he transformed a glittering awards show long known for self-reverential pomp into a 3 1/2-hour live ABC telecast punctuated by pointed satire riffing on issues of inclusion and diversity raised by the hashtag #OscarsSoWhite social media campaign and the Black Lives Matter movement.
But the issue of race was just one element that made the 88th edition of the Academy Awards likely to go down as one of the most socially conscious shows in Oscar history. Messages ranged from Vice President Joe Biden's special appearance urging a stronger stand against sexual violence on college campuses to best actor winner Leonardo DiCaprio's impassioned appeal for greater environmental awareness.
The difference in tone was evident from the start. Strolling on stage in a white dinner jacket and bow tie, Rock casually introduced himself as host of a show "otherwise known as the white People's Choice awards," adding, "You realize if they nominated hosts, I wouldn't get this job."
From that moment on, it was clear Rock would be pulling no punches.
Wondering with mock bemusement why blacks' anger over a lack of Oscar diversity never boiled over in the 1950s or '60s like it did this year, he answered his own question, "Because we had real things to protest at the time. We were too busy being raped and lynched then to care about who won best cinematographer."
'FIGHT THE POWER'
Rock did not confine his barbs to Hollywood alone. He drew one of his biggest laughs joking that the Oscars' annual "in-memorium" montage tribute to deceased film luminaries would instead be devoted to "black people who were shot by the cops on their way to the movies."
It was a motif that stretched beyond Rock's monologue into bits of comedy in between award presentations through the night.
In one pre-taped parody of a scene from "The Martian," the Oscar-nominated sci-fi drama about an astronaut marooned on the Red Planet, Rock was substituted for the stranded star of that film, Matt Damon, as NASA officials argued whether it was worth the expense to try to bring a black astronaut back to Earth.
In another, Rock ventured in a tuxedo to the predominantly black Los Angeles suburb of Compton to ask several African-American movie-goers outside a cinema whether they had seen various films nominated this year for best picture. None had.
But all said they had seen, and enjoyed, the critically acclaimed hip-hop drama "Straight Outta Compton," which failed to earn a place in the best picture contest and stoked the #OscarsSoWhite uproar.
In a more gentle comic moment, Rock, 51, invited members of his daughters' Girl Scout troop into the Dolby Theatre at mid-show to sell boxes of cookies to the seated stars. They ended up selling over $65,000 worth of cookies.
Rock was named as host of the 88th Oscars in October, months before the Academy of Motion Picture Arts and Sciences announced its roster of nominees lacking a single person of color in any of the acting categories for a second straight year.
In the ensuing backlash, he was widely seen as a presciently inspired choice for diffusing tensions looming over the awards following his first and only other turn as Oscar emcee in 2005, when he drew mixed reviews for a performance that many saw as too provocative at the time.
Rock capped Sunday's show by declaring "black lives matter." Credits then rolled to rap group Public Enemy's signature song "Fight the Power," which appeared on the soundtrack for Spike Lee's racial drama "Do the Right Thing."
(Editing by Mary Milliken)